An old friend of mine, Nova Scotian musician Max MacDonald, recently released his
first solo CD in his varied career as a singer, actor, songwriter, and
entertainment manager.
Max was front man for the Cape Breton, NS based rock band Buddy and
the Boys back in the '70s and early '80s, a mainstay in the touring
music and comedy repertories "The Rise and Follies of Cape Breton" and
"The Cape Breton Summertime Revue" from 1977 until 1995, and, as a
principal in the entertainment promotion firm Rave Entertainment,
founder and organizer of the fall Celtic Colours music festival from
1997 to 2008, which grew to an event featuring more than 400
performers.
Shared History
Max and I go back farther than that. Although he was born and raised
in - and strongly identified with - Cape Breton
Island throughout his professional career, Max has roots in the
eastern mainland Nova Scotia community where I still live. His brother,
sister, and niece all still own summer homes within sight of my living
room window. During our respective teenage years, he summered here
where his maternal grandmother hailed from - a delightful lady who
lived to age 101, sharp as a tack til the end.
At the time, in the late 1960s, Max was already something of a
musical guru, his tastes (as I recall) running to rhythm and blues and
soul artists like James Brown. Max's father worked at CJCB Radio in
Sydney, NS, and used to bring home records they wouldn't play on the
radio for whatever reason, so Max was exposed to a variety of
off-the-beaten-track music that no doubt contributed his eclectic
musical tastes.
We spent a lot of time those summers tooling around in my old Austin
Cambridges, just hanging out, and Max introduced me to Cape Breton
culture during visits to his family's home in Sydney.
Diverge and Converge
Our worlds diverged onto different tracks in the 1970s. We would
touch base occasionally over the years, but it was a common interest in
Apple computers that caused our paths to cross again in cyberspace, my
having become something of a Mac notebook computer pundit and goto guy
in Web journalism, while Max actually began using Apple hardware before
I did, buying an Apple IIGS in 1985. More recently, he owned a 14" 1.42 GHz iBook used for
business and communication purposes, although for heavy graphic arts
lifting he hired professional graphics and web folks.
Marcato Digital
After 12
years managing the Celtic Colors organization, Max concluded it was
time for a change, resigning last November to begin in a new position
with the Cape Breton based music industry productivity software
developer Marcato Digital
last December 1st. "Two days seemed like enough of a break," Max
observes dryly, adding that he's enjoying working with new colleagues
he describes as "young and smart . . . smart enough to know
that it is in their best interests to have an experienced old fart
around . . . I love that it's a private company, no boards
and other BS that slow things down."
Rock on, Max.
Founded by Darren Gallop, himself a performer, road manager, booking
agent, artist manager, and recording engineer, Marcato Digital produces
Web-based solutions for managing and organizing music festivals, bands,
other artists, and managers so they can spend less time attending to
routine tasks and more on creative development. The software is
multiplatform - all you need is a web browser - and transforms the
pattern of project management by allowing staff members to collaborate
on projects and make plans in a common forum. After running the Celtic
Colors festival for two years using an early version of the Marcato
Digital software, Max says he felt compelled to spread the word to his
fellow music industry professionals hunched over late night coffee pots
lamenting "if only there was an easier way!"
The "easier way" is The Marcato Suite,
consisting of two products:
Festivals
Marcato Festival keeps all the essential festival data collected by
various team members in one online location. You can then use this
information to automatically generate routine tasks, such as contracts,
website updates, artist reports, program and brochure copies, technical
info, soundcheck schedules, and much more.
This eliminates the bottleneck effect caused by waiting for
information, meaning team members can complete their work faster. It
also means that you are dealing with the most up-to-date and,
therefore, accurate information at all times.
Artist Management
In addition to the benefits of Marcato's Project Manager, Marcato's
Artist Manager keeps all the information required to manage the live
career of a performing artist. Performances are booked in the system,
generating automatic contracts. This information is automatically
forwarded to those who need to know. Once confirmed, the show is pushed
automatically to the band's website. The system even allows band
members and management to generate tour itineraries.
If a you need to make a change to a show time, just make the change
on the system and the software will notify the team and update the
itinerary and website.
The Artist Management Solution comes in bundles designed for
independent, self-managed artists and independent artist managers as
well as larger artist management firms.
These days Max's Mac is an "inherited" MacBook Pro, although he
notes that Marcato Digital also has a couple of new aluminum MacBooks at the shop,
and observes, "They are sweet! Leave it to Apple to bring function and
fashion together." He says he's liking the MacBook Pro and that his
"aging eyes really like the increased screen real estate and backlit
keys." I can identify, having recently transitioned in the opposite
direction from a 17"
PowerBook to a 13" Unibody MacBook.
Max also has a company-issue iPhone - "Holy smokes!" he muses, "When
I think back to my Apple IIGS, things have
sure come a loooong way."
A New CD
Anyway,
last year, amid the turmoil of the career change, Max says he developed
the urge to sing again, having not done so professionally since 1994,
and somehow found the time to record that album I mentioned. It had
been quite a while since the Buddy & The Boys album Buddy
was released on vinyl in 1977 (reissued on CD in 1999 with several live
bonus tracks), but the downtime obviously didn't hurt his performance
chops, and the new CD, Songs of Home, was nominated for two East
Coast Music Awards: Folk Recording of the Year and Male Solo Recording
of the Year.
I agree with the ECMA nomination committee - Songs of Home is
a splendid piece of work featuring Max singing the music of a who's who
of Cape Breton songwriters and performers including J.P. Cormier, Leon
Dubinsky, Bruce Guthro, Buddy MacDonald, Steve MacDougall, Ronnie
MacEachern, Rita MacNeil, Matt Minglewood, Sam Moon, Jimmy Rankin,
Gordie Sampson (writer of Carrie Underwood's blockbuster hit "Jesus
Take The Wheel"), and Duncan Wells - who also all agreed to sing backup
vocals and in some instances play instruments in on their respective
tracks, which include:
- Old Man (Rita MacNeil)
- Girls of Neils Harbour (Sam Moon)
- Joseph (Gordie Sampson & Bruce Guthro)
- Midnight Angel (Jimmy
Rankin)
- Spanish Bay (Steven MacDougall)
- Josephine (Leon Dubinsky) - a song that appeared on the 1977 Buddy
& The Boys album
- Me & the Boys (Matt Minglewood)
- Songsmith (Bruce Guthro)
- Gilgarry's Glen (JP Cormier)
- We Remember You Well (Buddy MacDonald)
- Small Town Wind (Duncan Wells)
- Go Off On Your Way (Ronnie MacEachern)
Cuts that especially grabbed me on first and second listening are
Matt Minglewood's "Me And The Boys", which evokes nostalgia for my
grease-stained youth cruising in and working on old cars, and J.P.
Cormier's Gilgarry's Glen, which has a Stan Rogers-ish vibe (I'm a Stan
fan) without being derivative. One that has grown on me (a lot) upon
subsequent exposure is Jimmy Rankin's "Midnight Angel".
One of the coolest things about this album is that the original
songwriters are on board playing instruments and singing backup vocals
on most cuts. The depth of talent concentrated in this collection is
impressive.
You can sample some of these tracks and order a CD from maxmacdonald.ca.
